The display of female characters in taming of the shrew and much ado about nothing

Prior to the first act, an induction frames the play as a "kind of history" played in front of a befuddled drunkard named Christopher Sly who is tricked into believing that he is a lord.

The display of female characters in taming of the shrew and much ado about nothing

Prior to the first act, an induction frames the play as a "kind of history" played in front of a befuddled drunkard named Christopher Sly who is tricked into believing that he is a lord.

The play is performed in order to distract Sly from his "wife," who is actually Bartholomew, a servant, dressed as a woman. In the play performed for Sly, the "shrew" is Katherina, the eldest daughter of Baptista Minola, a lord in Padua.

Numerous men, including Gremio and Tranio, deem Katherina an unworthy option for marriage because of her notorious assertiveness and willfulness. On the other hand, men such as Hortensio and Gremio are eager to marry her younger sister Bianca.

However, Baptista has sworn Bianca is not allowed to marry until Katherina is wed; this motivates Bianca's suitors to work together to find Katherina a husband so that they may compete for Bianca. The plot thickens when Lucentio, who has recently come to Padua to attend university, falls in love with Bianca.

Overhearing Baptista say that he is on the lookout for tutors for his daughters, Lucentio devises a plan in which he disguises himself as a Latin tutor named Cambio in order to woo Bianca behind Baptista's back and meanwhile has his servant Tranio pretend to be him.

In the meantime, Petruchioaccompanied by his servant Grumio, arrives in Padua from Verona. He explains to Hortensio, an old friend of his, that since his father's death he has set out to enjoy life and wed.

Hearing this, Hortensio recruits Petruchio as a suitor for Katherina. He also has Petruchio present Baptista a music tutor named Litio Hortensio in disguise. Thus, Lucentio and Hortensio, attempt to woo Bianca while pretending to be the tutors Cambio and Litio. To counter Katherina's shrewish nature, Petruchio pretends that any harsh things she says or does are actually kind and gentle.

Katherina agrees to marry Petruchio after seeing that he is the only man willing to counter her quick remarks; however, at the ceremony Petruchio makes an embarrassing scene when he strikes the priest and drinks the communion wine.

After the wedding, Petruchio takes Katherina to his home against her will. Once they are gone, Gremio and Tranio disguised as Lucentio formally bid for Bianca, with Tranio easily outbidding Gremio.

However, in his zeal to win, he promises much more than Lucentio actually possesses. When Baptista determines that once Lucentio's father confirms the dowryBianca and Tranio i. Lucentio can marry, Tranio decides that they will need someone to pretend to be Vincentio, Lucentio's father.

Meanwhile, Tranio persuades Hortensio that Bianca is not worthy of his attentions, thus removing Lucentio's remaining rival. Leslie illustration of Act 4, Scene 3 Petruchio upbraiding the tailor for making an ill-fitting dress. In Verona, Petruchio begins the "taming" of his new wife.

She is refused food and clothing because nothing — according to Petruchio — is good enough for her; he claims that perfectly cooked meat is overcooked, a beautiful dress doesn't fit right, and a stylish hat is not fashionable. Along the way, they meet Vincentio, who is also on his way to Padua, and Katherina agrees with Petruchio when he declares that Vincentio is a woman and then apologises to Vincentio when Petruchio tells her that he is a man.

Back in Padua, Lucentio and Tranio convince a passing pedant to pretend to be Vincentio and confirm the dowry for Bianca. The man does so, and Baptista is happy for Bianca to wed Lucentio still Tranio in disguise.

Bianca, aware of the deception, then secretly elopes with the real Lucentio to get married. However, when Vincentio reaches Padua, he encounters the pedant, who claims to be Lucentio's father. Tranio still disguised as Lucentio appears, and the pedant acknowledges him to be his son Lucentio.

In all the confusion, the real Vincentio is set to be arrested, when the real Lucentio appears with his newly betrothed Bianca, revealing all to a bewildered Baptista and Vincentio. Lucentio explains everything, and all is forgiven by the two fathers.

Meanwhile, Hortensio has married a rich widow. In the final scene of the play there are three newly married couples; Bianca and Lucentio, the widow and Hortensio, and Katherina and Petruchio. Because of the general opinion that Petruchio is married to a shrew, a good-natured quarrel breaks out amongst the three men about whose wife is the most obedient.

Petruchio proposes a wager whereby each will send a servant to call for their wives, and whichever comes most obediently will have won the wager for her husband. Katherina is the only one of the three who comes, winning the wager for Petruchio. She then hauls the other two wives into the room, giving a speech on why wives should always obey their husbands.

The play ends with Baptista, Hortensio and Lucentio marvelling at how successfully Petruchio has tamed the shrew. Sources[ edit ] Although there is no direct literary source for the induction, the tale of a tinker being duped into believing he is a lord is one found in many literary traditions.

Much Ado About Nothing - Shakespeareat

Another is found in De Rebus Burgundicis by the Dutch historian Pontus de Huyter, where Philip, Duke of Burgundyafter attending his sister's wedding in Portugal, finds a drunken "artisan" whom he entertains with a "pleasant Comedie. He could also have known the Duke of Burgundy story as, although De Rebus wasn't translated into French untiland into English untilthere is evidence the story existed in English in a jest book now lost by Richard Edwardeswritten in Katherine and Petruchio by James Dromgole Linton c.

The basic elements of the narrative are present in tale 44 of the fourteenth-century Spanish book Libro de los ejemplos del conde Lucanor y de Patronio by Don Juan Manuelwhich tells of a young man who marries a "very strong and fiery woman.The Taming of the Shrew is particularly rich in these comic types, possibly because the play is set in Italy, in Padua and Verona.

In each of the three comedies written by Shakespeare, Taming of the Shrew, Much Ado about Nothing, and Measure for Measure, there was a very strong female character.

The display of female characters in taming of the shrew and much ado about nothing

However, by the end of the play, the three females conformed to society's norms to achieve a "happy ending. The Taming of the Shrew is one of Shakespeare’s earliest comedies, and it shares many essential characteristics with his other romantic comedies, such as Much Ado About Nothing and A Midsummer Night’s Dream.

Shakespeare’s play ‘Much Ado about Nothing’ has two main female characters, Beatrice and Hero, who are cousins.

The Taming of the Shrew: a feminist portrayal of domestic abuse? - The F-Word

Both appear to be completely different in the beginning of the play but, as things progress and their characters develop, there are also some very obvious similarities between them. Of all the main characters in Much Ado About Nothing, Don Pedro seems the most elusive.

He is the noblest character in the social hierarchy of the play, and his friends Benedick and Claudio, though equals in wit, must always defer to him because their positions depend upon his favor.

Apart from that, if we had to make a paralellism between comedies, we could go to the female characters of Much Ado About Nothing and The Taming of the Shrew, in which Beatrice and Katherina have a similar profile.

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