Words written inpics and headings added for the the benefit of readers in Harvard referencing used throughout. If it looks like I'm stating the obvious that's because academia demands it!
With the exception of a handsome, newly built tennis court in which the playwright takes a disarmingly childlike pleasure and pride and an incongruously grand Henry Moore sculpture situated high on a landscaped terrace that commands a startling view of the sea, the simplicity of the place leaves one with the curious impression that the news of the personal wealth his work has brought him has not quite reached the playwright-in-residence at Montauk.
Still, it is in his country house that he generally seems most at ease, natural, at home. Albee was dressed with a mildly ungroomed informality.
He was as yet unshaven for the day and his neo-Edwardian haircut was damply askew. He appeared, as the climate of the afternoon demanded, somewhat uncomfortable. The interviewer and subject have been both friends and composer-writer collaborators for about eighteen years.
It had as close to one hundred percent bad notices as a play could get. The resultant commercial catastrophe and quick closing of the play apart, how does this affect your own feeling about the piece itself?
Well, I retain for all my plays, I suppose, a certain amount of enthusiasm. I had a number of quarrels with the production, but then I usually end up with quarrels about all of my plays.
ALBEE I imagine that if we had a college of criticism in this country whose opinions more closely approximated the value of the works of art inspected, it might; but as often as not, I find relatively little relationship between the work of art and the immediate critical response it gets.
And a playwright, especially a playwright whose work deals very directly with an audience, perhaps he should pay some attention to the nature of the audience response—not necessarily to learn anything about his craft, but as often as not merely to find out about the temper of the time, what is being tolerated, what is being permitted.
Some playwrights write a large number of plays, some write a small number. There was a period of a year and half when I only wrote half a play.
But then also, perhaps he should worry about getting as many plays on as possible before the inevitable ax falls. And a rather ugly thing starts happening: ALBEE Actually, the final evaluation of a play has nothing to do with immediate audience or critical response.
The playwright, along with any writer, composer, painter in this society, has got to have a terribly private view of his own value, of his own work. They must search their own souls, or whatever.
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It was the one play of mine—of all of them—that got completely out of my hands. I let the director take over and dictate the way things should be done. I did it as an experiment.Edward Albee. Photo by Monica Simoes.
The interview happened on a scalding, soggy-aired Fourth of July in a sunny room in Albee’s small, attractive country house in Montauk, Long Island. Critical Thinking, Reading, and Writing is a compact but complete guide to critical thinking and arteensevilla.comsing the text portion of the widely adopted Current Issues and Enduring Questions, it draws on the authors dual expertise in effective persuasive writing and comprehensive rhetorical strategies to help students move from critical thinking to argumentative and researched writing.
May 11, · A critical analysis of 'The Scream'. Adapted from a university essay I wrote in Includes full arteensevilla.coms: The Critical Writer: Inquiry and the Writing Process and millions of other books are available for Amazon Kindle.
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